I have to say that it is most interesting. The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. The best way to date Larrive instruments is by the instrument labels. The model started production in 1938 as Gibsons top-of-the-line flat top guitar. An entire bin was a "lot" and would contain 1934 was in the depth of the depression, and at $60 without a case, most families put food ahead of guitars. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. To complicate matters, the Larson brothers appear to have used different numbering techniques for different brands that they supplied. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. Other attempts by Gibson to make-do with the materials available to them include laminated maback and sides finished in a dark mahogany stain and a few were built with a laminate maple back and a mahogany top. >I see no collectors market for banjos like yours.<. Each model of the Mark Series was available in natural or sunburst finish. 1908 into 1916: Elevated pickguards of plastic tortoise shell clamped to the body with a removable clamp and pinned to the bridge. The bridge were early simple rectangular with through-saddles. I just have a few questions. The bracing for the new larger models was X braced: there were 3 transverse tone bars between the braces 1 more than the Martin as Gibson experimented with bracing design heavy enough to support the large tops and light enough to be resonant and responsive. 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural. They could be strung with steel or nylon strings. All Rights Reserved. They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. CLM, Classical guitar with mahogany back and sides. It was available in red, black or two-tone sunburst finish, fleur-de-lis under The Gibson; Handel inlaid tuner buttons prior to 1916 (WWI) with a dotted + in each button. mikehalloran - Posted-12/27/2013: 17:21:06. In 1947 a natural finish J-45 was finally offered and given the designation: J-50. Gold-plated tuning gears, LOTS of abalone inlay. The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. The 1975 price was $439. However there were and are many different types, most of which can be found on this page. The swing of a lathe is measured as the total diameter of a finished turned piece, such as a wood bowl. The top and back are lightly arched, producing the deepest measurement in the center of the guitars body. During 1880-1890 Fairbanks joined with William A. Cole, a successful performer and teacher, and produced approximately 9000 banjos as Fairbanks & Cole. 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. Collector's Corner The current bridge height and neck angle was reached around 1910. The guitar designs, however, were not the problem. For example: In general: Bacon serial numbers begin in 1906 (1 and 2 digit) and run consecutively until the sale of the company to Gretsch in 1940 (5 digit). See LG-0 for materials and dimensions. The centerline of the neck had the black inlay. A Style mandolins were symmetrical and shaped like a teardrop. Factory numbers (when the exist) appear in pencil inside on the block where the neck meets the body. The tuners were individual Kluson with amber buttons. They are maintained by Donna LoPrinzi in Clearwater Florida. Only about a dozen were made. The neck heal had a white plastic cap. The Gibson stamped on tailpiece cover. It appears that they experimented right up to the point of discontinuing the line. Wiley Morris of the Morris Brothers Hillbilly Band and Charlie Monroe (Bill Monroes brother) took to the instrument for its potential in the roots of Bluegrass music. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. 1923 into 1970: 1 piece mahogany necks. There are a few examples of A-2Zs with black tops, though this was probably used to cover some imperfection in the selected tops. In 1926 Gibson introduced the L-series guitars with the L-0 at $35 and the L-1 at $50 (1928 prices). The space between the headstock center and the top of the lathe bed is the radius of the lathe swing. See also: Gibson J-160E for more historical context. 2: The Histories of Cool Guitars". F Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. 30, 1909. Slanted mid 1940's Gibson Logo. Frets refers to the number of frets that are clear of the body. The more economical Student Grade instruments were often ladder braced. Back & Sides: Mahogany but some released as Brazilian rosewood. Headstocks of US models also use the Gibson headstock shape. Where no serial numbers are shown they simply are not known. S2R, size 2 guitar with East Indian rosewood back & sides, chrome tuners. Acoustic guitars are punched inside the soundhole on a sticker behind the strings. JM, jumbo size guitar with mahogany back & sides, chrome tuners. Sometimes (rarely) the labels are easy to read: the model and serial numbers hand-printed in ink and sometimes the information was written in pencil and is now barely legible. It also had a black veneered headstock (front and back) and a black inlay in the back of the neck. Edited by - rfvelk on 12/26/2013 17:31:36, Blake507 - Posted-12/26/2013: 22:24:21. Gibson To most people all banjos look (and sound) the same. 2 foot pressed arm rest and flat head tone ring. Kluson tuners no longer had circle stamp (exposed gears riveted instead of screwed in place) and shaft size of 7/32 to save wartime metal. There's a small snag in the outer pocket webbing - otherwise it's like new. In fact, he was part of a team of scientists paid as consultants by Gibson for their input on a project to create the finest sounding guitar based upon sound scientific logic, theory and research. Identify vintage banjo fleur de lis inlays on headstock & carved heel . Blake507 - Posted-12/26/2013: 15:42:17. LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. Gibson Banjos 1925 and Later: . The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . 1952: The headstock gold decal logo was replaced by an inlayed pearl script and crown. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. themselves through common hardware and design characteristics. New Location: Hand Engraving. The early instruments built in Nashville suffered from inexperienced workers and climate-control problems in the humid South. This can often be found on the back of the peghead or on the inside rim of the banjo. This makes up for the shallow break angle, and also does away with string trees, which are not needed in this case. Huber Banjos offers our new owners the option of either customizing one of our stock models, or "designing your own dream banjo" from among the various wood and metal configurations, and the many . The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. By 1936, with the depression still gripping the nation, Gibson moved to stay competitive and offer a more affordable option: The Advanced Jumbo (Advanced meaning that the size advanced: got bigger) with rosewood and fancier appointments that would compete with the Martin D-28 at $80 and the Jumbo 35 at $35 to compete with the Martin D-18. thurgood marshall school of law apparel Projetos; bubble buster 2048 town Blog; cell defense the plasma membrane answer key step 13 Quem somos; how to make a good elder scrolls: legends deck Contato; hillsdale college football. Any dealer would want to find this as part of an estate sale and put it out to see what the market would bear - but none would have high hopes for its value. These can exist on any model numbers including the A-jr. Ss. Why not post a little tune with it. Intermediate Grade and Best Grade were generally X braced with laminated braces for added strength. Jul 15, 2021 - A study of banjo head peg heads. The appointments roughly followed the Southerner Jumbo but the design was primarily electric: it had a 3-ply top with ladder bracing to reduce the low-end response for the single coil pickup placed at the base of the fretboard. Early 1970's block shaped no dot over the "i" closed "b" and . Body designations and style designations of Martin guitars are letter-number combinations separated by a hyphen. Yes, paging Scott to the Collector's Corner, please. The necks were 1-piece mahogany V shape with a Brazilian rosewood fretboard at 12 radius. The first versions of the Super Jumbo guitar had a neck joint with 12 frets clear of the body placing the moustache bridge geometrically in the center of the distinctly round 16 7/8 lower bout. The sunburst finish was generally $30 less than natural finish. Presentation banjos often turned up at NAMMand other shows. Have a vintage Harmony guitar? As a consequence, the details were grand in scale and the bindings high in contrast to look good in black and white on the silver screen. For sale for $50 cash, firm. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). Bound rosewood fingerboard with small fret wire, clamshell tail piece with Morris inscribed. For example: B&D had several un-numbered models between 1913 and 1920. 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. There is a Kay company logo on the headstock but absolutely no other identifying marks. Mismanagement was so severe during the final Norlin years that the Gibson Guitar Corp. was within 3 months of going out of business when it was bought by young Harvard Business grads: Henry E. Juszkiewicz, David H. Berryman and Gary A. Zebrowski in January of 1986. The tradition had been Bug style mandolins: bowl-backs with flat or bent tops. 1940: #1 or #001 to 1965: approximately #84xxx. This was quickly reduced to avoid model confusion between the J-45s and the more expensive Southerner Jumbos. Silkscreen logos - Low end models. It had binding on front, back, soundhole and the fretboard; The Gibson inlaid into the headstock and a better grade of spruce top. The one delivered first to Ray Whitley was not the model now seen as the beginning of the Super Jumbos, but a simpler 12 fret version. Find the worth of your vintage banjo from 1920s to 1970s. This information is approximate and has not been verified by the LoPrinzi family. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). The 1970s are viewed by many collectors and players as the low point of Gibson manufacturing. In general, the Larsons used fancier hardware on the more expensive instruments so the date of the hardware should coincide with similar instruments of the period. These appear to have a unique serial number scheme. There were some 1 3/4 nuts available. The name evolved from De Luxe Jumbo to Super Jumbo in 1939, and then to the Super Jumbo 200 (reflecting the price at the time, the case would be $28 extra). George Gruhns Guide to Vintage Guitars by George Gruhn and Walter Carter. Introduced is the year of introduction. There were 1424 made. At the turn of the century, Orville Gibson was refining his notion of the superior mandolin: carved in the tradition of violins for greater volume and tone as well as comfort. Factory Order Numbers (FON) in the 2600s to 2700s. serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. Gibson introduced their first adjustable belly bridge 2 screws to raise and lower the bridge. beautiful banjo. Bridges: Ebony Sometimes with a flattened pyramid rectangular bridge shape. The public seems to have favored this shape over time as it fetches better prices now. The birch sides and back were stained red. Size 3 Gurian, either acoustic or amplified. FLC, Flamenco guitar with Canadian cypress back and sides, friction pegs (machine heads on some examples). It took Gibson 2 years to develop their response: The Jumbo of 1934. S2M, size 2 guitar with mahogany back & sides. MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. S3R, Size 3 guitar with East Indian rosewood back & sides, chrome tuners. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. All Rights Reserved. When I look at the rim, tone ring, tube and plate, and tailpiece they look like the same ones on my Ibanez 591. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. Pearl dots on fretboard. The original partners were Fred and Cassie Bacon and Mr. and Mrs. Oliver Winship. 1973 $895 L-5S a few instruments shipped and cherry sunburst is the only available finish. $ 5,719.00 $ 5,149.00. cases they carry no identifying name at all. They didnt sell well but did live up to their design intent of a. heavier, booming tone with good overall balance. A New Leaf from Steven Moore. Larger top braces used, and bigger solid wood bridge plate and larger bottom-belly bridge. The first Gibson J45 guitars were only slightly different from the discontinued J-35. Yet somehow, there's a certain cool factor to this one. Mythology has it that the Southerner Jumbo was specifically targeted at the Southern market honoring rising Country music trends. 1890s into 1907: Inlaid into the top of the instrument. identify the manufacturer of these banjos in many cases, but some identify teachers who sold them to students, some of which are tagged with the name of The LG-Series is 2 narrower than the J-Series. Download Old Banjo stock photos. The Gibson Company was formed in late 1902 and the early mandolins evolved from the original Orville Gibson designs. Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 . This was expanded in 1935 to about 1/3 of the top area. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. Unfortunately, the information is confusing and inconsistent. Known Problems with Gretschs Serial Number System: Due to the various renumbering schemes, there are Gretsch-built Bacons and B&Ds with 3 digit, 4 digit and 5 digit serial numbers, which confuses identification of instruments made between 1910 and 1940. In some cases, teachers would purchase these instruments and put their own names on them, but in many other cases they carry no identifying name at all. purchase these instruments and put their own names on them, but in many other . Most information about Larson Brothers instruments comes from their catalog published around 1930. He lived in Illinois all his life. It was built for Hollywood singing star Ray Whitley as the worlds biggest and fanciest acoustic guitar. Identification: "A" Style mandolins were symmetrical and shaped like a teardrop. The top and back bindings were black plastic with red line highlights. Gibson had changed its neck profiles and headstock shape on the successful J-Series. MK-35-12 models were only made in 1977. The L-5S was the first high end jazz solid body guitar. A2-Zs were theoretically made during the Loar period of 1921-25, but only between 1923 and 1924. The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. Other similar details include: single-cutaway body, ebony fingerboard with block inlays, flowerpot headstock inlay, L-5 tailpiece with contrasting silver on gold with L-5 engraving (changed to TP-6 in 1978) and multilayer body binding throughout. There are also examples of A-2Zs without the Z on the lable but still sporting the black perfling line. gibson one-of-a-kind Christmas banjos! A: One of the easiest ways to determine the age of your banjo is to inspect the serial number, if it has one.
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